Keaton Henson was a long way from home. The London based singer, poet, and visual artist traveled the Atlantic for a handful of shows in the United States, kicking off the tour at The Chapel in San Francisco last Wednesday night. It was short–probably as Henson had hoped. Henson has severe stage anxiety and rarely performs. Had his debut album, Dear, not been discovered and shared by BBC’s Radio1 host, Zane Low, he likely would have amassed a collection of music that would have never been shared. He would have thought they were terrible.
The official video for Blake and Chance’s remix to Blake’s “Overgrown” entitled “Round Here” was released today. The video, shot entirely in black and white, tracks Blake and Chance as they cruise in a lowrider through an eerie forest inhabited by stallions and Somalian pirates. The video was directed by Nabil, noted for his work with Justin Timberlake, Frank Ocean, Britney Spears and even Blake’s “Overgrown.”
It’s 1996–I’m twelve–slipping poems through the slits of my crush’s locker. She returns the favor. This continues until I finally work up the courage to tell her I like her and she tells me we’re friends. I am crushed.
If the formative years of puberty aren’t trying enough, certainly rejection is the just ingredient for a cake of self-misery. From Baz Luhrmann’s Romeo + Juliet to Sneaker Pimp’s “6 Underground,” ’96 was shadowed by heartache for me. Tidal couldn’t have come at better time. The then-17-years-old Fiona Apple’s dark and sultry collection of songs became the soundtrack to my wallowing sadness.
Fucking amazing television here. Jimmy Kimmel and Kanye West met to dispel their fight and in the process, Kanye West shows his true colors: an extremely passionate, determined entrepreneur (and artist).
Listen to his ideas on “classicism” and reconsider Yeezus. Watch the full clips below.
Seeing that you’ll probably be almost danced-out after Saturday night, Sunday at the Treasure Island Music Festival is appropriately peppered with head-bobbing & hip-swaying inducing acts like Real Estate and Beck. Here’s your playlist for day 2…
The Saturday lineup (Day 1) at Treasure Island is decorated with electro/disco acts, as well as the heavyweight champ himself, Thom Yorke with Atoms for Peace. Take a listen to the playlist below…
Seeing a contemporary composer will not lull you to sleep. Not if said composer is Nils Frahm. The 31-year-old pianist provided nothing less than a stunning performance at the Regency Ballroom this past Sunday night. Peaking through the darkness, Frahm displayed a mastery of composition that felt unworldly. Even the untrained ear could hear his careful building of dynamics, melodic swaying of tones, and confident control of tempo.
The stage’s arrangement suggested what was important: the music. With his back towards the audience, Frahm’s only visible showmanship happened as he switched between a grand piano and Rhodes, sometimes having either arm outstretched as he played both. Not until the end of his set did he acknowledge the crowd, arising from his bench, turning to face the onlookers and placing his hands together, before taking a bow.
Opening for Ólafur Arnalds and Hauschka, Frahm is currently on tour in support of his upcoming album Spaces (scheduled to be release November 19th on Erased Tapes).
Anyhow, I made a short film about the piano that magically appeared on top of Bernal Hill a few months ago. I first stumbled upon this gem one night while out taking some photos around the city. There were just a handful of people there – including a younger kid playing hits like “Moondance” and “Benny and the Jets.”
That night, I couldn’t stop thinking about how inspiring and generous of a gift the piano was for the city, and for anyone who might happen to stumble upon it. The next day I decided to go back with my friend Mark, who is also a cinematographer. We had no idea what we were getting ourselves into, but the experience was amazing.