Interview: Hibbity Dibbity Conjurs Up Some Swamp Funk at Boom Boom Room April 4th


When you hear a name like Hibbity Dibbity you aren’t sure what to expect, and thats by design. These youthful rockers channel an old soul as they play a blend of southern rock, funk and blues. Their blend of swamp funk can get a crowd up and dancing everywhere, from big stages to local clubs and bars.

They have stopped by my local watering hole, The Abbey Tavern, a few times and they leave everything they have on stage. I’ve witnessed raucous, three-plus hour sets that had everyone from the old Irish construction workers to college kids up and dancing.

They band is playing the Boom Boom Room on Saturday April 4th and it is bound to be one hell of a party. Tickets are just $12 bucks and you can pick them up here. Read More


Local Tunes, Unlimited Local Beers: The Bay Brewed March 29th 1pm to 6pm


Kickass local music and all the awesome local brew you can drink while maintaining your self respect. What in the world could be better? Welcome to The Bay Brewed at The Chapel. There is just a week left to get in on this special event put on by The Bay Bridged, a group that works very hard to support local music scene here in SF.

Headlining the day-drinking event are Oakland’s Tumbleweed Wanderers. A band that has gone from playing for a few bucks on a street corner to the lineups of Hardly Strictly Bluegrass and Outside Lands. This foursome plays a soulful, psych rock that is sure to go down smooth with a few ‘man-sodas.’

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Chris Porterfield of Field Report Entertains and Englightens at The Independent


Friday night, Chris Porterfield, the driving force behind Field Report, took to The Independent’s stage solo in support of Joe Pug. In retrospect, Porterfield’s lonesome, heartfelt set stood in stark contrast to headliner Pug’s high energy, Texas roadhouse act where every song ended with a flourish of the guitar and spin on cowboy boots. Not to mess with Texas, because I did enjoy Joe Pug, but there was a real and rare feeling of authenticity with Porterfield on stage.

The venue had already swelled to a decent crowd of around 300 of its 500 capacity, when Porterfield walked onto the stage with his guitar and simply introducing himself as “Chris.” There is always a weird vulnerable feeling when you see someone take a stage alone framed by all the equipment of a headliner, but as Chris opened with “Decision Day” you could tell he was someone comfortable in his own skin.

“Decision Day” is the first track off Field Report’s new album Marigolden. From an impossibly reflective resonator guitar came jangling melodies, and a soothing electronic tone waxed and waned from a pedal at his feet. Deep within his torso, an earthen but steady voice weaved lyrics with the familiarity one comes to expect from folk rock. The lyrics come at you fast and you don’t always have time to think and organize them. As a result, understanding of the lyrics is more of a feeling or a motif than a complete story. Read More


Song of the Day: Get Ready to Tap Your Feet to Separator by Controller


Hump Day! You made it! As a reward we have a snappy little pop number by NYC’s Controller for you. The track kind of reminds me of the beginning of an Arcade Fire song, and while it might not evolve into the complex jam you expect out of pop masters like AF, it does have a infections beat and leads me to believe Controller is the type of act that could roll into any club and get the people moving.

The five piece has all the elements you’d expect from a dance rock band– an upbeat drum line, catchy synth hook, quick hit guitar riffs and background lyrics enthusiastically yelled in unison. They also have a menu link on their website that says ‘Sexy Guys’ but don’t worry it’s SFW pictures of the band.

“Separator” is the first single off their upcoming EP of the same name.  Check it out below and keep an eye out for more music from them in May.


Photos: Above & Beyond all Expectations at Bill Graham Civic Auditorium


Friday night, photographer Mark Derutte and I braved the crowds to see the British EDM band Above & Beyond. Approaching the Bill Graham Civic Auditorium, a line can be seen — formed like tightly packed sardines, about 12 people thick, and running half the length of the building. “Oh, yeah,” I say out loud, “The long wait. How could I forget?” “No worries,” we say to ourselves — that is until we get closer. About 50 people stand on the opposite side of the road, waiting for the cross walk. Once we reach them, we realize this is a part of the entrance line, and it extends beyond your previous line of sight. We venture further in attempts to find its end, and after traveling the entire length of San Francisco City Hall, we find our place in line amongst hundreds. It is not until forty minutes later that we are finally released to be free inside the Civic Auditorium. This is what you can expect for a sold out show.

Right as I walked in, I was immediately reminded of what it felt like to be 20 again; glow stick here, half naked people over there, hard-step dancers, people packed more tightly than the sardines I previously spoke of outside. When a song ended, the crowd erupted into a frenzy, leaving us to think we were louder than the bass. Then, a quiet, almost whisper like chant was heard: A & B, A & B, A & B. Another song started in the dark, bass began to roar. I didn’t realize it until half way through that this was the first song. Above & Beyond came on stage 15 minutes early, midway through the song the lights turned on, the singing began and dancing commenced.
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KONGOS Troubador Press Photo High Res 9.4.14

KONGOS Are Both Grogginess and the Caffeine Used to Eliminate It


KONGOS started their set at a crawl at The Fillmore on Tuesday after the opening acts, Colony House and Sir Sly, amped up the crowd in preparation of the headliners. When Kongos arrived on stage they played slow jam after slow jam, which jilted the atmosphere and had the crowd in a straight-faced stupor. They lacked the showmanship brought by Sir Sly’s lead singer, Landon Jacobs, who exited the stage with clothes soaked in the sweat induced from his almost constant dance-jumping. San Francisco is one of the last stops for the four brothers since the Lunatic tour began in late January. The exhaustion of the road could have contributed to their tired start of the performance.

After a lot of lackluster, the band redeemed the evening when they hit their fans like caffeine on a groggy morning with “Come With Me Now.” The crowd frenzied and continued to do so for the rest of the night as KONGOS found their energy. The music itself is fun to listen to; alternative rock with rhythmic South African influences that would fit perfectly over any montage of beach bonfire scenes. Read More


Viet Cong Get Freaky @ Rickshaw Stop


Last Thursday’s Viet Cong show came and went at the old familiar Rickshaw Stop. For those who’ve never been to this venue, it’s a great, divey open space that allows for an intimate musical environment… and no, not intimate like that time you played musical chairs with your friends and Jenny sat on your lap accidentally as you beat her to the last seat. It’s the kind of venue where everyone gets the best view, hears every word sung, and every chord strummed.

This was a little bittersweet for opening band Freak Heat Waves – an indie-rock outfit that sounded like Cake on painkillers reciting a Jim Morrison poem, which I say with some awe. Their set was unique, yet a little weird, and gauging the audience’s reaction was tricky. Their quirky combination of krautrock, punk, and funk seemed to be a good fit to open for the quickly rising Calgary post-punk entourage Viet Cong. Oddly enough, the last time these bands came through the Bay Area on the same bill, Freak Heat Waves headlined the show and Viet Cong opened. As Viet Cong bassist and singer, Matt Flegel hilariously stated, “That show was better, but this is fine too.”

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Folk Rockers Field Report Bringing a Little Wisconsin Flavor to The Independent in Support of Joe Pug Friday 3/20


Next Friday March 20th, Milwaukee’s best, Field Report, will take the stage at The Independent for a night of soulful strumming and impassioned folk vocals.  At the center of Field Report is singer/songwriter Chris Porterfield who some may know from his former work in another Wisconsin band DeYarmond Edison. Porterfield breathes life into complex and breathy lyrics and is accompanied by a solid compliment of musicians. The band is opening for Austin’s Joe Pug, one of the best americana/folk voices I’ve ever heard.

Field Report is touring on the new album Marigolden, released at the end of 2014. Much of the album tells stories of love, often with a sorrowful tone. The tracks that stick out for me are songs like “Pale Rider,” which starts out with a defeated feeling and seems to bloom with a feeling of hope as it progresses. There are also some elements of electronic music that have bled into the album, creating an interesting blend of the old and the new, especially evident on the track “Home (Leave The Lights On).”

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Outside Lands 2015 Early Bird Tickets on Sale Thursday


I can’t believe its already that time of the year again, Outside Lands 2015 tickets go on sale March 12th at 10am PT. While we don’t yet know anything related to the lineup, I am sure there are many of you out there who are willing to put your trust in “Ranger Dave” to put together another killer lineup.

This year three day “eager beaver” tickets are going for $285, which makes me think you’ll be paying well over $300 dollars to pick up three day passes later. VIP tickets clock in at $645 if you are looking for a few of the finer things in life, such as nicer bathrooms.

If you’re ready to pull the trigger you can pick up your tickets at 10am PT here. A word of warning the least expensive early birds tend to sell out immediately.

Below is an honest festival map we put together last year. Check out all our Outside Lands coverage here.

Outsiders Guide to Outside Lands


Song of the Day: “Solace” and the Rest of Fyfe’s Debut Album Control


Ever since Fyfe released single “For You” I have anxiously awaited the release of his debut album Control. Fyfe, which is the latest moniker for London-based Paul Dixon, layers beautiful flowing ambient tones– building beats that alternate between exhilarating complexity and haunting sparseness.

Dixon’s voice reaches through the speakers and demands your attention. In “For You” he weaves his words into a jungle of alternating percussion, punctuated by a saxophone solo that puts even Sexy Saxman to shame. In songs like “Solace” sparse sections spotlight layered vocal harmonies and his potent heartfelt crooning. You will hear him compared to Patrick Wolf and at times it feels like he even falls into a Thom Yorke-like trance, such as “Control.” Read More

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