The future house producer, Autograf, has put together a warm remix of “The Fire,” a track birthed from the collaboration of French Horn Rebellion and Savoir Adore.
Shout out to Indie Shuffle.
Photo and video by Victoria Smith
Kicking things off with a bang last Tuesday night at The Chapel, San Francisco natives Melvoy married the youthful sass and rebellious grooves of early Arctic Monkeys and The Fratellis with the latin flavor of desert-dwelling desperadoes Calexico. Singer/guitarist Emmanuel Castro holds up a mirror on “If I Would” when he begs the question “if I buy you things I can’t afford / would that make you like me more?” You get the sense it’s your problem, not his. After kicking up some dust, they showed us the clouds with a couple airy pop numbers, only to have the skies darken and knock us back down to earth with a thunderous Queens of the Stone Age-style sledgehammer-of-a-riff of which the stoner gods would be proud. Rock-solid and immediately catchy vocal harmonies had me singing along to choruses I’d never heard before, as these guys took the crowd on a ride. Nobody dared stop the bus.
Along their tour stop in San Francisco, Elle Mary & The Bad Men, an alt-folk group from Manchester UK assembled a montage of picturesque scenes from the Bay Area. They’ve compiled those images for the video of their song “Angels.” The single was released by digital label, Tru Luv.
I made this mixtape as an ode to Ray Bradbury, having read three of his novels in the past two months. I find his writing extremely relevant to where we are as a society at this juncture in time. His visual imagery is full of stark realities, hopeful futures, and inconclusive landscapes that inspire you to think objectively. I felt the low hums of the wobbly synth bass and the borderline-screeching chalk based snares of the LA Beats movement and like-minded sounds would play out perfectly into a reality such as Bradbury’s. This mix started out as a creative thought process, and slowly transformed into a singular 45 minutes stream of music. Shout out to my girl for gifting me my first Ray Bradbury book and giving me the extra push to put this out.
I included a track list with a rough timeline, so if a particular track piques your interest you can check it out!
Live, Ernest Greene, aka Washed Out, sounds entirely different than his recordings. The singer, songwriter, and producer known mostly as a solo, bedroom performer–is much more in person. This past Tuesday night, fans attending the band’s sold-out performance at The Fillmore got an ear of this other Washed Out.
Paracosm, the title of his sophomore album, literally refers to a fantasy world. From the record’s start with its slowly building dynamics, to its fading close–Greene invites listeners to escape and drift away. At home, regardless of your stereo, the muted levels bring out a softer (though still grooving) equally psychedelic and shoegaze sound that has placed the artist at the forefront of the recent chillwave scene.
In a video interview with Yourstruly, Greene explained that he began writing the album in the fall, later finishing it in the winter, working in front of a window that overlooked the changing seasons in Atlanta, GA. Most of Greene’s lyrics repeat calls to let go and moments of falling. And what seemingly–written–should be dreary is intentionally brightened with major key progressions and buzzing bass kicks that turn gloom into glamor. Read More
Was it the similar last names that tip producer, Amerigo Gazaway, off on this perfect match? Matching Yasiin Bey’s (formerly Mos Def) “Travellin’ Man” and Marvin Gaye samples– the “Inner City Travellin’ Man” takes a sweet, soulful twist on two old gems.
When I think of !!! (pronounced ChkChkChk, and this is the name you search by the way) I think of three things: Funk, inappropriately short shorts, and dancing. The band plays a type of dance-punk that can go from calm to a furious crescendo at any moment. They did not disappoint on Saturday night, at The Chapel, as they involved the crowd with a blend of electronic beats and funky guitar riffs.
Clad in his trademark throwback 80’s shorts, vocalist Nic Offer was already down in the crowd getting the dance party started during the very first song. Read More
This Friday (January 31st) Magik*Magik Orchestra will live one of their dreams. Since orchestra director, Minna Choi, founded the group in 2008, she’s worked with a who’s who of Bay Area bands–but, this Friday at the Fox Theater will be the first time she can bring many of those bands together. The charitable event will feature Magik*Magik Orchestra performing alongside with Nicki Bluhm & the Gramblers, The Dodos, Diana Gameros, Geographer, How to Dress Well, Zoe Keating, The Lonely Forest, Maestro Michael Morgan, The Pacific Boychoir, Rogue Wave, Two Gallants, and John Vanderslice.
Proceeds from the performance will go to support “Magik For Kids” initiative, which helps bring music lessons and experiences to kids throughout San Francisco. Prior to the performance we connected with Minna over email to find about what people can expect and if she’d made any New Year’s resolutions.
Brooklyn’s The Skins consist of three siblings and two friends, none over 21. They sound as if Black Sabbath slept with Soul on the first date. Like a funky Winehouse-Hendrix singing over a Motown Sabbath concoction. Sometimes their music softens, and slow to disco groove. They have a lot of vibes going on and they look groovy too. I hope I made a description soup you can sip.
Albert Hammond Jr. seemed most comfortable when he rocked the punk elements to his tracks. He’s new at being a front man, so his sometimes shy-on-the-mic didn’t offend me. Strokes’ guitar nuances would poke out like a garter belt from under a nun’s skirt, but really Hammond has created a sound of his own. Hammond’s new release is from Julian Casablancas‘s Cult Records. Check out his video below “Justice,” which features him having sex and getting a real good slap.
Photos by Victoria Smith.
Anyone can be made to sound good on a studio album, give or take. Jake Bugg is more impactful live. Even as a solemn performer, there is a constant wail in his truly unique voice that is captivating. Not even cynical me can take that away. I presume Rick Ruben heard it too, when Bugg (19-years-old) went into his studio to record two tracks. Ruben ended up pulling an album out of him. He’s got a Pulk voice. What’s Pulk you ask? Oh, a genre term I made up in Berlin last summer that marries punk and folk. He’s kind of a little classic already. There’s a lot of terrific folky songwriters out there, but Bugg has got an x-factor voice. I stayed til the end.
Listen to Jake Bugg “Broken.”
Almost a year to the date, Tame Impala released the NSFW video for “Mind Mischief” from their stellar 2012 album, Lonerism. If you haven’t listened to the album, read here why it made our Best Albums of 2012 list.