By Bob Patterson
Here in the Bay Area, we are lucky to have a great community of local culture and music writers. I end up spending a few hours a week enjoying the work of other local writers in a wide variety of publications. But as of this last week, I can no longer trust that the music opinions of SF Sounds aren’t being used to settle the business scores of its publisher.
When I first saw this issue’s cover story ‘The Backstreet Boys of Bluegrass’ about The Brothers Comatose I thought it was pretty funny and was interested in some burns about the dorky coordinated dance moves they throw into their shows. What I got instead was a noticeably unhinged hit piece that was baffling in scale. I have nothing against calling out a bad show, bad behavior or even hating a band, but there was obviously something else going on for SF Sounds to go all in on a local, indie bluegrass band. I can understand how The Brothers Comatose might not be your thing, but I find their music to be generally interesting and fun.
The second fishy part of this story is that it wasn’t attributed to an author, and even has this bizarre correction online alerting readers that the person originally credited with the story, did not, in fact, write it. “Print copies incorrectly attributed the author as Patrick Knowles.” It turns out there is someone at SF Sounds that might have a reason to hate The Brothers Comatose, and this motive is even in the damn story. I am talking about SF Sounds publisher Jason Perkins, who in the past, has already been called out for not self-identifying in editorials (among other concerns).
In the story, we don’t learn a lot, but we do learn that one of the reasons The Brothers Comatose should be scolded is alleged bad behavior by them and their fans at Comatopia, a festival hosted by the band at Sierra Valley Lodge in 2016. Read More