When I walked into the Rickshaw Stop last night, sadly late enough to miss both opening bands, it was pre-fogged, the upstairs was roped off, and about a hundred people milled about in anticipation. 30 or more of them were pushed up against the front of the stage, waiting, waiting.
ELEL (pronounced as it seems, “LL”) eased onto the stage under soothing cobalt and aqua lights. Their first song “Change My World” was like an initiation – welcoming, slow-building, grounding. Just as the beat would pick up, it would fall off into almost-silence, pause, and then leap back in with the pronounced and precise effort of the kick drum. By the end of the song each instrument had been introduced – from the wood block to the tenor sax, the bass, synths and reverb-laden guitar– the stage was set.
At this point, I was ready for the catharsis to begin and to be swept into a dancing frenzy, but it wasn’t until the third song that their hit “40 Watt” came out and the crowd jumped around like wild animals under the racing lights. And after “40 Watt” the band headed back into a series of slow to mid-tempo songs that, while building fantastically, with switching time signatures and layered instrumentation, left the longing to be cut free palpable in the room. By the last few songs (pre-encore), the release finally arrived. Read More