It’s not entirely clear to me how two members of the Breeders are playing a Monday night at the Elbo Room in the Mission; it being a categorically small venue teetering on the edge of dive bar status. But they are, Monday May 11th. Though Kelley Deal’s new band R. Ring is headlining the night, it’s a group called the 1939 Ensemble that I’m most excited to see. A rhythm-nerd’s paradise, the band’s newly released track “Slade” will force you to stare, stomp, and shake your head. How can anyone’s hands move that fast? Call your drummer friends for date night, and if you’re lucky, it’ll be a cheap date … because we have two tickets to give away! Read More
Last Monday and Tuesday, one of San Francisco’s oldest and most storied nightclubs, Bimbo’s 365 Club in North Beach, hosted a rare pair of sold-out shows for Swedish singer-songwriter and guitarist José González. This is his first solo tour since 2008, to support his new record Vestiges and Claws. I’ve been wanting to seen him live for more than 10 years now, so I think I reached the maximum allowable score on the excitement scale for seeing a soft-spoken classical guitarist. Read More
On Tuesday April 28, Mastodon and Clutch came to the Fox Theater in Oakland for the Missing Link Tour. Clutch opened the double bill with their punk influenced sounds and Mastodon closed the show with a more traditional metal sounding show, with all the typically intense guitar solos and beautiful transitions.
The vibe was friendly and easy going throughout the show. Although metal shows may be associated with angry people dressed in black garb, my experience has always been that the shows are pretty relaxed. During the sets, the intensity of the music on stage is so visceral that besides the smallish, yet consistently occupied mosh pit, most of the audience is attentively watching. The music tends to suck up and process all the angry energy that most listeners have at one time or another, leaving the person to enjoy the intricate musicianship and the beautiful surroundings of the Fox Theater.
Having never heard Clutch before, I was excited to see what they would be like, and they were great. Read More
Young Fathers rocked the Independent Saturday with Mas Ysa in a show we have been looking forward to for a while now.
First up was Mas Ysa, is the stage name used by Thomas Arsenault. The artist was born in Canada, but went to high school in Brazil, where he began creating electronic music. His sound is refined and carries depth and soul with it. It’s pop music for the melancholy and existential. The energy in his showmanship translated to the crowd despite him being confined behind a desk of audio equipment. Barefooted, and bare-souled he stood on his tip toes shaking the sound up his body and out toward the audience.
His set consisted of songs from his EP album Worth, released last February. He also performed his newest single “Look Up,” which was an anticipated crowd pleaser. He’ll accompany Young Fathers for most of their final U.S. tour dates, and will be performing with Tanlines for a couple appearances in New York next month.
After a fittingly energetic opening, Young Fathers arrived on stage. Read More
I am a big fan of Trails and Ways, a local band that really embraces the diversity we have here in the Bay Area. Their music is infused with South American genres like bossa nova, and exudes the warmth of California sunshine. And you have to love a group where every member including the drummer sings.
Today they are giving us a second peak into their upcoming album Pathology with “Say You Will.” Featuring a heavy bass line, a heartbeat and some classic disco Nile Rodgers-esque guitar, it exemplifies the groups ability to blend styles into great music. They recorded and produced the whole new album themselves in their drummer’s bedroom.
Bassist/ vocalist Emma Oppen wrote the song and explains the creative process as follows:
“Two years ago I met someone very special, and had the experience of falling in love in a matter of hours. In my delirium, I imagined making an ultimatum: Say you will, or don’t say anything at all. A few months later, I wrote the bass line in the back of the van on our first summer tour, and made the first demo recording of the vocal melody against the droning fan of a venue bathroom. Silky four-part harmonies open into a dance between syncopated bass, plucky synths, and an insistent, grounding beat. A biting rhythm guitar kicks in at the chorus for a sassy groove you can choose to love forever, or wherever you are in the moment.”
When I first heard Yassou Benedict‘s “Youngblood,” the first release off Oaktown Indie Mayhem (OIM)’s upcoming compilation OIM Vol: I, I’ll be honest … it wasn’t my jam. It has lurking in it many of the elements of dubstep, (to which only this guy knows how to dance), and I don’t really like dubstep. But – out of admiration for the work that OIM does to support the local music scene – I gave it another listen. And damned if the electro indie darkness didn’t win me over completely, dubstepping hints and all.
This time, listening, I was shrouded in a lonely quiet. Late night, kid sleeping, wind shaking the hundred year old window frames. And suddenly a bridge opened between me and this song. A wiggling bridge. There is no single, undeterred beat here. The beat shifts emphasis every 10 seconds or so, which creates this feeling of falling side to side, jerking forward, leaning back as the bass tones blast. (This is one of the hallmarks of dubstep.) But bassist and lead singer Lilie Bytheway Hoy’s haunting alto anchors it all. Pushed just the slightest bit back into the mix, her vocals make me lean forward to listen closer, and in so doing, seem to take my hand and pull me along, guide me through the glitches.
While it seems like the heavy feeling of this song is present in their sound overall, from what I can tell, this particular song is something different. “Youngblood” is the opposite of Easy Listening. It is Dark And On The Move, and in my lonely quiet, I felt the urge to pull on a carmine cape and head off for a midnight wander through an abandoned city. A deep, dark, delicious solitude.
More about the band here.
We’ll have more about the OIM compilation in the coming weeks, including coverage of their residency at Leo’s in Oakland to celebrate the upcoming release (June 23rd):
May 21st – Foxtails Brigade, Whiskerman + Perhapsy
May 28th – Jennifer Johns, Waterstrider + Nyx
June 4th – Emily Afton, Yassou Benedict + El Elle
Praise that baby J: for those of you who’ve had an ear to the ground, psychedelic rock is back in full force. LA-based Wand stopped by Bottom of the Hill in Potrero last week and absolutely blew the fucking doors off.
To give you a quick intro, Wand recently released their second full-length album, “Golem,” in March of this year, and it’s a heater. Ominous riffs, shrieking wall-of-sound guitar and melodic vocals washed out in reverb (in an awesome way), the album delivers a stellar nine track escape from reality.
Sturgill Simpson played in Santa Cruz to a sold out Catalyst last Friday, smack dab in the middle of a tour that has taken him from Indio to Sacramento in the last few weeks. The Fillmore will see some San Francisco-approved country this week, in a show that is close to sold out, but definitely worth a scalped ticket if need be.
“Everything but Country…” is a popular expression used by the San Francisco music enthusiast upon a first-meet musical taste inquiry. Well, you may want shelve your Baroque harpsichord tunes for a minute, or at least add Sturgill Simpson to the playlist. His shows will change almost anyone’s answer to just… “Everything.”
People already in-the-know will tell you Sturgill Simpson is a renegade country artist in the style of Willie Nelson and Merle Haggard, a counter to the bro-country that has given the genre its negative stereotype. Kentucky born, former Seattle rock scene attendee, former train conductor; he broke out in 2014 with the self-released Metamodern Sounds in Country Music.
Simpson has a brand of music even the staunchest anti-Marina SF local can relate to, think of contemporaries like Jason Isbell. A friendly crowd pre-show at The Catalyst came off as excited and invested in an upcoming live music education. Sturgill’s classic growled and mumbled country voice was paired not with ostrich skinned ranch-wear, but a pair of New Balance sneakers.
Tuesday night brought Panda Bear out of the Coachella Valley to San Francisco for an intimate performance at the sold out Independent. Panda Bear, aka Noah Lennox of Animal Collective, not only captivates his audience with his music, but also with a kaleidoscopic visual display of swirling colors and images projected on a screen, and on Panda Bear himself.
All songs were from his newest album, Panda Bear Meets The Grim Reaper, and from 2011’s Tomboy. I found myself getting lost staring at the visuals, trying to decipher exactly what I was seeing on the screen as snakes morphed into strawberries, which quickly twisted into flowers, all while Panda Bear masterfully blended his tracks with his dynamic and distinctive vocals. Every few songs, four large strobe lights would disorient the packed venue, adding to the feeling of being truly lost in the performance.
Panda Bear remained still for the whole show, rendering himself as a part of the backdrop on which the visual art of Danny Perez was displayed. Watching Panda Bear was like watching an artist in the act of creating their art– and there just happened to be a crowd present.
California Academy of Sciences never fails to surprise us. They’ve figured out the perfect formula for an entertaining and educational Thursday night. We’re especially excited for Thursday’s NightLife event, Giant Nightlife. Their recent exhibit, Whales: Giants of the Deep, gives visitors the chance to “journey into the world of whales and see them in all their glorious diversity,” but what we’re really excited about are the two music acts Different Sleep and Braille.
As a long time fan of the two, I’ve been waiting for the day I could finally see them. I’ll be dreaming about those such, bass-heavy beats from Praveen Sharma aka Braille (half of Sepalcure).
And I can’t wait to hear the effortlessly blended sounds of familiar R&B, pop, chill wave, and synth-pop hits from Different Sleep’s Rafael “Rafa” Alvarez.
If you like what you heard with the small taste above, make sure you make it to Thursday’s Nightlife. Tickets are still on sale, so hurry and get yours here for $12 + fees.