Immortal Technique [Live Review] at The New Parish


Rebel Armz Photographed by Yui Ueno

Maybe its because San Francisco Mission hipsters haven’t quite caught on yet, or they are too scared to cross the Bay, but the intimate setting of the New Parish is easily a favorite among performers—making Immortal Technique’s show that much more epic.

First of all, performers have to walk through the crowd to get to the stage, and Immortal Technique and his crew not only didn’t have a problem with that, they embraced it, accepting hugs and handshakes from any fan who approached them. Additionally, they posted near the door at the end of the show to hang out with fans.

The show itself was a 4-hour seminar of politically active hip-hop artists with keynote speaker, Immortal Technique, a younger, modern Howard Zinn, unafraid to not only grasp the facts of the socioeconomic complexities that have created the modern condition but to present them bluntly, yet eloquently.

Circulating in the crowd were pamphlets for the Fresno Brown Berets, a newly established chapter of the Chicano movement community organizers, The Brown Berets, founded in the late 1960s to fight police brutality and support educational equality, arguably akin to the Black Panther’s, formed in Oakland around the same time.

Of course, the crowd wasn’t all well-educated, socially conscious “revolutionaries,” there was still the girl on ecstasy in the bathroom introducing herself as “Hello Officer,” to everyone taking a pee, and Cal Trustafarians clearly looking intimidated in their surroundings. And, you have to question whether hype or solidarity brought this crowd together.

Before Technique, a succession of Viper Records artists took the stage, including Akir, Mohammed Dangerfield, Diabolic, DJ Static, Rebel Armz, Chino XL and the Harlem Underground. Each performance leading up to Immortal Technique was increasingly captivating, the highlight being Chino XL– a man whose muscles are twice the size of my head– resting lightly against a stool and free-styling to light piano chords. He was magnetic with the crowd hanging on to his every flawless word. “Do you think America invaded Libya because they give a fuck about brown people?” he asked as the crowd cheered in agreement.

“Instead of prompting the crowd in the typical “Hip-Hop,” chant, Technique led the crowd in “Fuck Cops,” before acknowledging that there were probably cops in the crowd that night, “it’s a shame you are spying on a fucking hip hop show while someone is at your home fucking your wife right now,” he concluded.”

Raw-G, a female rapper from Guadalajara City, Mexico, a cute unsuspecting woman with dreads and glasses opened the show along with other artists fresh off the UC Berkeley International hip-hop showcase the previous night (also appearing Deejay Jalisco, Kensho Kumar and Vomito Lyriko). Her set included fast-paced hip-hop in three different languages (Spanish, Japanese and English). Her energy was undeniable and is definitely an artist to watch. Before starting her title track, “Mi Mundo/My World,” Raw-G spoke to the audience about the situation in the Middle East, “This track is dedicated to the people in Egypt who made shit happen… we can do that here.”

Immortal Technique took the stage after Chino XL, adding to the commentary on Libya, “If America was run by a Libyan puppet, the rebels would be called terrorists,” he said before launching into “Industrial Revolution.”

Technique is incredible live, making eye contact with every person in the audience, seemingly all at once, never missing a line or straying off point. His tracks themselves are even just musical intermissions in one long seminar, which is delivered with such passion to a diverse, yet solidified family, of an audience that he could make even Glenn Beck wonder if socialism really is such a dirty word.

A series of commentary on everything from the War on Drugs, American corporate culture and racial inequality was intertwined with the tracks “Napalm,” “Mistake,” “the 3rd World” and “Peruvian Coke.” But the biggest cheer from the crowd came from commentary about Oscar Grant, the 23-year-old man who was fatally shot, execution style on camera on the Fruitvale BART platform on New Year’s Day 2009

Instead of prompting the crowd in the typical “Hip-Hop,” chant, Technique led the crowd in “Fuck Cops,” before acknowledging that there were probably cops in the crowd that night, “it’s a shame you are spying on a fucking hip hop show while someone is at your home fucking your wife right now,” he concluded.

But unlike many other hip-hop artists that could draw a following like this, Techniques revolutionary lyrics go beyond the music. Last summer, New York natives Technique, Rebel Armz and Chino XL visited a youth-oriented community organization in East Oakland to empower local children to be the change they seek.

Along with community visits, Technique owns a community-invested farm in Peru, where he was born, and works directly with and raises money for Omeid International, a 501(c)(3) that shelters, feeds and educates children on the ground in Afghanistan.

At one point Technique summed up the feeling of the night, “Don’t show me what you value, show me what you spend your time and money on and I will show you what you value.”

Songs to enjoy:

Immortal Techinque ft Mos Def: “Bin Laden”


Immortal Technique ft. C-Rayz Wal: “Peruvian Cocaine”


Immortal Techinque: “The 3rd World”